queue maken - definizione. Che cos'è queue maken
Diclib.com
Dizionario ChatGPT
Inserisci una parola o una frase in qualsiasi lingua 👆
Lingua:

Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT

In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:

  • come viene usata la parola
  • frequenza di utilizzo
  • è usato più spesso nel discorso orale o scritto
  • opzioni di traduzione delle parole
  • esempi di utilizzo (varie frasi con traduzione)
  • etimologia

Cosa (chi) è queue maken - definizione

1999 VIDEO GAME
Maken-X; Maken X (video game); Maken Shao: Demon Sword; Maken Shao

Client–queue–client         
Client-Queue-Client; Client-queue-client
A client–queue–client or passive queue system is a client–server computer network in which the server is a data queue for the clients. Instead of communicating with each other directly, clients exchange data with one another by storing it in a repository (the queue) on a server.
deque         
  • browsing history]]: new websites are added to the end of the queue, while the oldest entries will be deleted when the history is too large. When a user asks to clear the browsing history for the past hour, the most recently added entries are removed.
ABSTRACT DATA TYPE FOR WHICH ELEMENTS CAN BE ADDED TO OR REMOVED FROM EITHER THE FRONT OR BACK
Doubly-ended queue; Deques; Double ended queue; Deque; Double-Ended Queue; Head-tail linked list; Doubly ended queue; Real-time deque
double-ended queue         
  • browsing history]]: new websites are added to the end of the queue, while the oldest entries will be deleted when the history is too large. When a user asks to clear the browsing history for the past hour, the most recently added entries are removed.
ABSTRACT DATA TYPE FOR WHICH ELEMENTS CAN BE ADDED TO OR REMOVED FROM EITHER THE FRONT OR BACK
Doubly-ended queue; Deques; Double ended queue; Deque; Double-Ended Queue; Head-tail linked list; Doubly ended queue; Real-time deque
<algorithm> /dek/ (deque) A queue which can have items added or removed from either end[?]. The Knuth reference below reports that the name was coined by E. J. Schweppe. [D. E. Knuth, "The Art of Computer Programming. Volume 1: Fundamental Algorithms", second edition, Sections 2.2.1, 2.6, Addison-Wesley, 1973]. Silicon Graphics (http://sgi.com/tech/stl/Deque.html). [Correct definition? Example use?] (2003-12-17)

Wikipedia

Maken X

Maken X is a first-person hack and slash video game developed by Atlus for the Dreamcast. It was published by Atlus in Japan in 1999, while Sega localized and released the game overseas in 2000. Gameplay has the Maken—a sentient sword-like being—"brainjacking" or taking control of multiple characters across a variety of levels; combat is primarily based around short-ranged melee attacks, with some characters sporting additional abilities such as ranged attacks.

The story is set on near-future Earth during a time when the world is descending into chaos due to natural disasters and rising political tension between China and the United States. When the facility where the Maken was developed is attacked, the sword bonds to main heroine Kay Sagami and is sent on missions against the group responsible for the attack. Depending on dialogue choices and brainjacked characters, seven possible endings can be achieved.

Concept work began during the middle of production on the Persona 2 duology. Featuring staff from the Megami Tensei franchise including artist Kazuma Kaneko and composer Shoji Meguro, development took approximately two years. It was the first game developed by Atlus to feature full voice acting, and one of the company's earliest fully 3D titles. The game was met with mixed reviews, but sold well in Japan. An enhanced remake for the PlayStation 2, Maken Shao: Demon Sword (魔剣 爻, Maken Shao), was published by Atlus in Japan in 2001 and in Europe by Midas Interactive Entertainment in 2003. It changed a number of gameplay elements, introduced further cutscenes, adjusted the music, and added the third-person perspective in response to a common trend in Japan of first-person games causing motion sickness.